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Box 21

 Container

Contains 30 Results:

Portrait, 1930

 File — Box: 21, Folder: 1
Dates: 1930
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

Portraits (8 x 10), 1940s-1960s

 File — Box: 21, Folder: 2
Dates: 1940s-1960s
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

Portraits (5 x 7), 1950s, 1970s

 File — Box: 21, Folder: 3
Dates: 1950s; 1970s
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

Portraits (small), Series A, 1962

 File — Box: 21, Folder: 4
Dates: 1962
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

Portraits (small), Series B, undated

 File — Box: 21, Folder: 5
Dates: undated
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

Portraits (small), Series C, 1968

 File — Box: 21, Folder: 6
Dates: 1968
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

Portraits DB, Charles and Arthur Flynn, 1954

 File — Box: 21, Folder: 7
Dates: 1954
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

Portraits Donald Barthelme, Jr., 1950s

 File — Box: 21, Folder: 8
Dates: 1950s
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

Unidentified Conference, 1950s

 File — Box: 21, Folder: 9
Dates: 1950s
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

TSA Convention, 1952

 File — Box: 21, Folder: 10
Dates: 1952
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

Education Conference, 1953

 File — Box: 21, Folder: 11
Dates: 1953
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

APC Building Presentation, 1955

 File — Box: 21, Folder: 12
Dates: 1955
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

Early Projects, Galveston, 1933-1934

 File — Box: 21, Folder: 13
Dates: 1933-1934
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

Contemporary House, Centennial Exposition, 1936

 File — Box: 21, Folder: 14
Dates: 1936
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

Beers Kenison Office, Galveston, 1940

 File — Box: 21, Folder: 15
Dates: 1940
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...