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Box 21

 Container

Contains 30 Results:

Karl Milles Sculpture, 1948

 File — Box: 21, Folder: 16
Dates: 1948
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

Unidentified Apartments, 1950s

 File — Box: 21, Folder: 17
Dates: 1950s
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

Dargan Doctor's Office, 1948

 File — Box: 21, Folder: 18
Dates: 1948
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

Barthelme House (exteriors), 1945-1955

 File — Box: 21, Folder: 19
Dates: 1945-1955
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

Barthelme House (interiors), 1952

 File — Box: 21, Folder: 20
Dates: 1952
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

St. Rose of Lima Church, 1948

 File — Box: 21, Folder: 21-22
Dates: 1948
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

St. Rose of Lima Church, Models and Construction, 1947

 File — Box: 21, Folder: 32
Dates: 1947
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

St. Rose of Lima School Additions, 1953

 File — Box: 21, Folder: 33-34
Dates: 1953
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

Competitions

 File — Box: 21, Folder: 35
Dates: 1924-1997
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

Growit Yourself College (Rice Charrette), 1962

 File — Box: 21, Folder: 36
Dates: 1962
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

Snake, undated

 File — Box: 21, Folder: 37
Dates: undated
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

St. Rose of Lima Church, 1948

 File — Box: 21, Folder: 23
Dates: 1948
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

St. Rose of Lima Church, 1948

 File — Box: 21, Folder: 24-26
Dates: 1948
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

St. Rose of Lima Church, 1948

 File — Box: 21, Folder: 27
Dates: 1948
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

St. Rose of Lima Church, 1948

 File — Box: 21, Folder: 28-31
Dates: 1948
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...