Box 34
Container
Contains 3 Results:
Sweeny Elementary School negatives, 1950-1953
File — Box: 34, Folder: 1
Found in:
University of Houston Libraries Special Collections
/
2001-003, Donald Barthelme, Sr., F.A.I.A., Architectural Papers
/
Photographic Materials
/
Prints and Negatives, 4 x 5
Dates:
1950-1953
Scope and Contents
From the Series:
Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...
Sweeny Negro (Carver) School negatives, 1951-1952, 1959
File — Box: 34, Folder: 2
Found in:
University of Houston Libraries Special Collections
/
2001-003, Donald Barthelme, Sr., F.A.I.A., Architectural Papers
/
Photographic Materials
/
Prints and Negatives, 4 x 5
Dates:
1951-1952; 1959
Scope and Contents
From the Series:
Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...
Sweeny High School Additions negatives, 1951-1952
File — Box: 34, Folder: 3
Found in:
University of Houston Libraries Special Collections
/
2001-003, Donald Barthelme, Sr., F.A.I.A., Architectural Papers
/
Photographic Materials
/
Prints and Negatives, 4 x 5
Dates:
1951-1952
Scope and Contents
From the Series:
Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...