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Box 36

 Container

Contains 9 Results:

Barthelme Portraits negatives, 1954-1966

 File — Box: 36, Folder: 1
Dates: 1954-1966
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

Classes - University of Houston, Rice, 1953-1966

 File — Box: 36, Folder: 2
Dates: 1953-1966
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

Hotel Site - Prospective, 1954

 File — Box: 36, Folder: 3
Dates: 1954
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

Carson Pirie Scott Competition negatives, 1954

 File — Box: 36, Folder: 4
Dates: 1954
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

Michigan Conference-Trump Report negatives, 1959

 File — Box: 36, Folder: 5
Dates: 1959
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

A.I.A. Headquarters Competition negatives, 1964

 File — Box: 36, Folder: 6
Dates: 1964
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

San Francisco Competition negatives, 1965

 File — Box: 36, Folder: 7
Dates: 1965
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

Yale Competition negatives, 1970

 File — Box: 36, Folder: 8
Dates: 1970
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

Art Center Competition negatives, undated

 File — Box: 36, Folder: 9
Dates: undated
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...