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Box 43

 Container

Contains 10 Results:

Mexican modern architecture, 1958-1964

 File — Box: 43, Folder: 1
Dates: 1958-1964
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

Mexico City, Taxco, 1951, 1959

 File — Box: 43, Folder: 2-3
Dates: 1951; 1959
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

Bacardi Factory (Felix Candela), 1960

 File — Box: 43, Folder: 4
Dates: 1960
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

Taxco, 1951

 File — Box: 43, Folder: 5-6
Dates: 1951
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

Mexico City, Xochimilco, 1951

 File — Box: 43, Folder: 7
Dates: 1951
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

Mexico City, 1951

 File — Box: 43, Folder: 8
Dates: 1951
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

Churches (Felix Candela), undated

 File — Box: 43, Folder: 9
Dates: undated
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

Puerto Vallarta, 1959

 File — Box: 43, Folder: 10
Dates: 1959
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

Mexico, bullfight, undated

 File — Box: 43, Folder: 11
Dates: undated
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...

Taxco, 1954-1955

 File — Box: 43, Folder: 12
Dates: 1954-1955
Scope and Contents From the Series: Barthelme's photographic materials consist of black-and-white prints in various sizes, including 8 x 10, 11 x 14, and 16 x 20; and black-and-white negatives in 4 x 5, 2 ¼ x 3 ¼, and 35 mm. Most of the color images are 2 ¼ x 3 ¼ glass-mount transparencies and 35mm color slides. Many of the pictures of Barthelme's projects are known to be the work of Dallas photographer Ulric Meisel, but unless indicated otherwise, Barthelme is presumed to be the photographer on all of the items in this...