Box 1
Contains 134 Results:
Les Deux Amis (The Two Friends), Edme-Jean Pigal, undated
This collection consists of prints acquired by University of Houston Libraries Special Collections over the course of the department's existence. As available, description of each print includes title, artist, date, donor or provenance, and whether they are part of a larger work. Prints with little to no contextual information include a brief description of the image.
La Fête du Parrain (The Godfather's day), Edme-Jean Pigal, 1833
This collection consists of prints acquired by University of Houston Libraries Special Collections over the course of the department's existence. As available, description of each print includes title, artist, date, donor or provenance, and whether they are part of a larger work. Prints with little to no contextual information include a brief description of the image.
Le retour du cabaret, Edme-Jean Pigal, 1861
This collection consists of prints acquired by University of Houston Libraries Special Collections over the course of the department's existence. As available, description of each print includes title, artist, date, donor or provenance, and whether they are part of a larger work. Prints with little to no contextual information include a brief description of the image.
L'Argent, Emile Fabre, 1895
This collection consists of prints acquired by University of Houston Libraries Special Collections over the course of the department's existence. As available, description of each print includes title, artist, date, donor or provenance, and whether they are part of a larger work. Prints with little to no contextual information include a brief description of the image.
Les petites faunesses, Eugène Grasset, 1897
This collection consists of prints acquired by University of Houston Libraries Special Collections over the course of the department's existence. As available, description of each print includes title, artist, date, donor or provenance, and whether they are part of a larger work. Prints with little to no contextual information include a brief description of the image.
Old Cottage on a Shore, Franz Edmund Weirotter, 1868
This collection consists of prints acquired by University of Houston Libraries Special Collections over the course of the department's existence. As available, description of each print includes title, artist, date, donor or provenance, and whether they are part of a larger work. Prints with little to no contextual information include a brief description of the image.
Snowy Jedburgh Abbey, George Reid, 1876
This collection consists of prints acquired by University of Houston Libraries Special Collections over the course of the department's existence. As available, description of each print includes title, artist, date, donor or provenance, and whether they are part of a larger work. Prints with little to no contextual information include a brief description of the image.
La Fontaine, Godefroy Engelmann, undated
This collection consists of prints acquired by University of Houston Libraries Special Collections over the course of the department's existence. As available, description of each print includes title, artist, date, donor or provenance, and whether they are part of a larger work. Prints with little to no contextual information include a brief description of the image.
Carvings in Trinity College Library by Grinling Gibbons, Gustave Greux, 1880
This collection consists of prints acquired by University of Houston Libraries Special Collections over the course of the department's existence. As available, description of each print includes title, artist, date, donor or provenance, and whether they are part of a larger work. Prints with little to no contextual information include a brief description of the image.
The Forest/ Cottages in Mountain Valley, Gustave Greux after Theodore Rosseau/ P.G Hamerton, 1901/1873
This collection consists of prints acquired by University of Houston Libraries Special Collections over the course of the department's existence. As available, description of each print includes title, artist, date, donor or provenance, and whether they are part of a larger work. Prints with little to no contextual information include a brief description of the image.
Mevisto: Coeur Meurtri (sheet music), Henri Gabriel Ibels, 1892
This collection consists of prints acquired by University of Houston Libraries Special Collections over the course of the department's existence. As available, description of each print includes title, artist, date, donor or provenance, and whether they are part of a larger work. Prints with little to no contextual information include a brief description of the image.
Le bourg de Perros-Guirec, Henri Riviere, 1896
This collection consists of prints acquired by University of Houston Libraries Special Collections over the course of the department's existence. As available, description of each print includes title, artist, date, donor or provenance, and whether they are part of a larger work. Prints with little to no contextual information include a brief description of the image.
Arrivée de bateaux à Tréboul, Henri Riviere, 1906
This collection consists of prints acquired by University of Houston Libraries Special Collections over the course of the department's existence. As available, description of each print includes title, artist, date, donor or provenance, and whether they are part of a larger work. Prints with little to no contextual information include a brief description of the image.
Up the Hill, James D. Smillie, 1878
This collection consists of prints acquired by University of Houston Libraries Special Collections over the course of the department's existence. As available, description of each print includes title, artist, date, donor or provenance, and whether they are part of a larger work. Prints with little to no contextual information include a brief description of the image.
Landscape, James Duffield Harding, 1880
This collection consists of prints acquired by University of Houston Libraries Special Collections over the course of the department's existence. As available, description of each print includes title, artist, date, donor or provenance, and whether they are part of a larger work. Prints with little to no contextual information include a brief description of the image.