Box 3
Contains 69 Results:
Back Home, April, 1865, Tom Lea, 1939
This collection consists of prints acquired by University of Houston Libraries Special Collections over the course of the department's existence. As available, description of each print includes title, artist, date, donor or provenance, and whether they are part of a larger work. Prints with little to no contextual information include a brief description of the image.
Old Bigfoot and John on Hand, Tom Lea, 1968
This collection consists of prints acquired by University of Houston Libraries Special Collections over the course of the department's existence. As available, description of each print includes title, artist, date, donor or provenance, and whether they are part of a larger work. Prints with little to no contextual information include a brief description of the image.
Outlaws Watering, Tom Lea, 1940
This collection consists of prints acquired by University of Houston Libraries Special Collections over the course of the department's existence. As available, description of each print includes title, artist, date, donor or provenance, and whether they are part of a larger work. Prints with little to no contextual information include a brief description of the image.
Riches in Desolation, Tom Lea, 1941
This collection consists of prints acquired by University of Houston Libraries Special Collections over the course of the department's existence. As available, description of each print includes title, artist, date, donor or provenance, and whether they are part of a larger work. Prints with little to no contextual information include a brief description of the image.
Texas Rangers: Mexican War, Tom Lea, 1968
This collection consists of prints acquired by University of Houston Libraries Special Collections over the course of the department's existence. As available, description of each print includes title, artist, date, donor or provenance, and whether they are part of a larger work. Prints with little to no contextual information include a brief description of the image.
And Rode to Paso de Norte, Tom lea, 1968
This collection consists of prints acquired by University of Houston Libraries Special Collections over the course of the department's existence. As available, description of each print includes title, artist, date, donor or provenance, and whether they are part of a larger work. Prints with little to no contextual information include a brief description of the image.
Folies-Bergeres, Miss Holtom, Tous Les Soirs, 1890
This collection consists of prints acquired by University of Houston Libraries Special Collections over the course of the department's existence. As available, description of each print includes title, artist, date, donor or provenance, and whether they are part of a larger work. Prints with little to no contextual information include a brief description of the image.
The Pluggers, URS (Frederic Studer), 1968
This collection consists of prints acquired by University of Houston Libraries Special Collections over the course of the department's existence. As available, description of each print includes title, artist, date, donor or provenance, and whether they are part of a larger work. Prints with little to no contextual information include a brief description of the image.
Decanter and Glasses, W.A.S. Hatch, undated
This collection consists of prints acquired by University of Houston Libraries Special Collections over the course of the department's existence. As available, description of each print includes title, artist, date, donor or provenance, and whether they are part of a larger work. Prints with little to no contextual information include a brief description of the image.
Dysfunction in War, Wanda Gag, 1937
This collection consists of prints acquired by University of Houston Libraries Special Collections over the course of the department's existence. As available, description of each print includes title, artist, date, donor or provenance, and whether they are part of a larger work. Prints with little to no contextual information include a brief description of the image.
Daumier, William Patterson, 1975
This collection consists of prints acquired by University of Houston Libraries Special Collections over the course of the department's existence. As available, description of each print includes title, artist, date, donor or provenance, and whether they are part of a larger work. Prints with little to no contextual information include a brief description of the image.
Alger Hiss Trial, William Sharp, 1949
This collection consists of prints acquired by University of Houston Libraries Special Collections over the course of the department's existence. As available, description of each print includes title, artist, date, donor or provenance, and whether they are part of a larger work. Prints with little to no contextual information include a brief description of the image.
Woman posing, unidentified artist, undated
This collection consists of prints acquired by University of Houston Libraries Special Collections over the course of the department's existence. As available, description of each print includes title, artist, date, donor or provenance, and whether they are part of a larger work. Prints with little to no contextual information include a brief description of the image.
Two men with guns riding horses, unidentified artist, undated
This collection consists of prints acquired by University of Houston Libraries Special Collections over the course of the department's existence. As available, description of each print includes title, artist, date, donor or provenance, and whether they are part of a larger work. Prints with little to no contextual information include a brief description of the image.
Side of a mountain range, unidentified artist, undated
This collection consists of prints acquired by University of Houston Libraries Special Collections over the course of the department's existence. As available, description of each print includes title, artist, date, donor or provenance, and whether they are part of a larger work. Prints with little to no contextual information include a brief description of the image.