Box 29
Contains 15 Results:
Adventure, undated
This series includes short stories in manuscript or typescript form. Barthelme rarely kept early drafts of his work, so many of these stories are in a finished or nearly finished stage and show minimal editing by the author. Some galley proofs, tear sheets, and paste ups are also included.
Bluebeard: Page proof, 1986
This series includes short stories in manuscript or typescript form. Barthelme rarely kept early drafts of his work, so many of these stories are in a finished or nearly finished stage and show minimal editing by the author. Some galley proofs, tear sheets, and paste ups are also included.
The Dassaud Prize: Page proof, 1976
This series includes short stories in manuscript or typescript form. Barthelme rarely kept early drafts of his work, so many of these stories are in a finished or nearly finished stage and show minimal editing by the author. Some galley proofs, tear sheets, and paste ups are also included.
The Teachings of Don B.: A Yankee Way of Knowledge: Tear sheet, 1973
This series includes short stories in manuscript or typescript form. Barthelme rarely kept early drafts of his work, so many of these stories are in a finished or nearly finished stage and show minimal editing by the author. Some galley proofs, tear sheets, and paste ups are also included.
Well We All Had Our Willie and Wade Records…: Page proof, undated
This series includes short stories in manuscript or typescript form. Barthelme rarely kept early drafts of his work, so many of these stories are in a finished or nearly finished stage and show minimal editing by the author. Some galley proofs, tear sheets, and paste ups are also included.
Proofs, The New Yorker, 1964-1987
This series includes short stories in manuscript or typescript form. Barthelme rarely kept early drafts of his work, so many of these stories are in a finished or nearly finished stage and show minimal editing by the author. Some galley proofs, tear sheets, and paste ups are also included.
Set Design
Typescripts and other materials related to plays by Donald Barthelme or adapted from his work.
Notes and Comment [New Yorker]: Page proofs
A variety of non-fiction material is gathered in this series. Most of it is essays written for publication, such as the pieces published anonymously in the "Notes and Comments" section of The New Yorker. Some pieces not for publication are also found in this series, such as introductions delivered for other writers and eulogies. Material is primarily in the form of typescripts, galley proofs, and tear sheets.
On the Level of Desire: Galley proofs, 1987
A variety of non-fiction material is gathered in this series. Most of it is essays written for publication, such as the pieces published anonymously in the "Notes and Comments" section of The New Yorker. Some pieces not for publication are also found in this series, such as introductions delivered for other writers and eulogies. Material is primarily in the form of typescripts, galley proofs, and tear sheets.
The Rook’s Progress (with Jim Love), Preliminary Section, [ca. 1988]
This series includes the artwork and "collage stories" that Barthelme created by gluing engravings, woodcuts, and pieces of clip art to posterboard or other backgrounds. Some loose collage pieces have been reglued to their backgrounds using reversible wheat starch paste.
Drawing of Donald Barthelme, 1974
This series includes the artwork and "collage stories" that Barthelme created by gluing engravings, woodcuts, and pieces of clip art to posterboard or other backgrounds. Some loose collage pieces have been reglued to their backgrounds using reversible wheat starch paste.
Engravings/Collage Sources, undated
This series includes the artwork and "collage stories" that Barthelme created by gluing engravings, woodcuts, and pieces of clip art to posterboard or other backgrounds. Some loose collage pieces have been reglued to their backgrounds using reversible wheat starch paste.
Transfer Lettering, undated
This series includes the artwork and "collage stories" that Barthelme created by gluing engravings, woodcuts, and pieces of clip art to posterboard or other backgrounds. Some loose collage pieces have been reglued to their backgrounds using reversible wheat starch paste.