Box 10
Contains 44 Results:
Amphigorey, Also by Edward Gorey: Galley proof, 1983
A variety of non-fiction material is gathered in this series. Most of it is essays written for publication, such as the pieces published anonymously in the "Notes and Comments" section of The New Yorker. Some pieces not for publication are also found in this series, such as introductions delivered for other writers and eulogies. Material is primarily in the form of typescripts, galley proofs, and tear sheets.
As Grace Paley Faces Jail with Three Other Writers, undated
A variety of non-fiction material is gathered in this series. Most of it is essays written for publication, such as the pieces published anonymously in the "Notes and Comments" section of The New Yorker. Some pieces not for publication are also found in this series, such as introductions delivered for other writers and eulogies. Material is primarily in the form of typescripts, galley proofs, and tear sheets.
Being Bad [Robert Rauschenberg]: Typescript, undated
A variety of non-fiction material is gathered in this series. Most of it is essays written for publication, such as the pieces published anonymously in the "Notes and Comments" section of The New Yorker. Some pieces not for publication are also found in this series, such as introductions delivered for other writers and eulogies. Material is primarily in the form of typescripts, galley proofs, and tear sheets.
Being Bad [Robert Rauschenberg]: Galley proof, undated
A variety of non-fiction material is gathered in this series. Most of it is essays written for publication, such as the pieces published anonymously in the "Notes and Comments" section of The New Yorker. Some pieces not for publication are also found in this series, such as introductions delivered for other writers and eulogies. Material is primarily in the form of typescripts, galley proofs, and tear sheets.
Rosellen Brown's Fiction, undated
A variety of non-fiction material is gathered in this series. Most of it is essays written for publication, such as the pieces published anonymously in the "Notes and Comments" section of The New Yorker. Some pieces not for publication are also found in this series, such as introductions delivered for other writers and eulogies. Material is primarily in the form of typescripts, galley proofs, and tear sheets.
The Case of the Vanishing Product, photocopy, undated
A variety of non-fiction material is gathered in this series. Most of it is essays written for publication, such as the pieces published anonymously in the "Notes and Comments" section of The New Yorker. Some pieces not for publication are also found in this series, such as introductions delivered for other writers and eulogies. Material is primarily in the form of typescripts, galley proofs, and tear sheets.
Donald Barthelme on Superman III, 1983
A variety of non-fiction material is gathered in this series. Most of it is essays written for publication, such as the pieces published anonymously in the "Notes and Comments" section of The New Yorker. Some pieces not for publication are also found in this series, such as introductions delivered for other writers and eulogies. Material is primarily in the form of typescripts, galley proofs, and tear sheets.
Eulogies, 1978-1979, undated
A variety of non-fiction material is gathered in this series. Most of it is essays written for publication, such as the pieces published anonymously in the "Notes and Comments" section of The New Yorker. Some pieces not for publication are also found in this series, such as introductions delivered for other writers and eulogies. Material is primarily in the form of typescripts, galley proofs, and tear sheets.
Exquisite Creatures, undated
A variety of non-fiction material is gathered in this series. Most of it is essays written for publication, such as the pieces published anonymously in the "Notes and Comments" section of The New Yorker. Some pieces not for publication are also found in this series, such as introductions delivered for other writers and eulogies. Material is primarily in the form of typescripts, galley proofs, and tear sheets.
Introductions and Blurbs, undated
A variety of non-fiction material is gathered in this series. Most of it is essays written for publication, such as the pieces published anonymously in the "Notes and Comments" section of The New Yorker. Some pieces not for publication are also found in this series, such as introductions delivered for other writers and eulogies. Material is primarily in the form of typescripts, galley proofs, and tear sheets.
Jim Love Up to Now: An Introduction: Typescript, 1980
A variety of non-fiction material is gathered in this series. Most of it is essays written for publication, such as the pieces published anonymously in the "Notes and Comments" section of The New Yorker. Some pieces not for publication are also found in this series, such as introductions delivered for other writers and eulogies. Material is primarily in the form of typescripts, galley proofs, and tear sheets.
Jim Love Up to Now: An Introduction: Galley proof, 1980
A variety of non-fiction material is gathered in this series. Most of it is essays written for publication, such as the pieces published anonymously in the "Notes and Comments" section of The New Yorker. Some pieces not for publication are also found in this series, such as introductions delivered for other writers and eulogies. Material is primarily in the form of typescripts, galley proofs, and tear sheets.
Most Wonderful Trick [John Hawkes]: Clipping, 1984
A variety of non-fiction material is gathered in this series. Most of it is essays written for publication, such as the pieces published anonymously in the "Notes and Comments" section of The New Yorker. Some pieces not for publication are also found in this series, such as introductions delivered for other writers and eulogies. Material is primarily in the form of typescripts, galley proofs, and tear sheets.
Notes and Comment [New Yorker]: Typescripts, undated
A variety of non-fiction material is gathered in this series. Most of it is essays written for publication, such as the pieces published anonymously in the "Notes and Comments" section of The New Yorker. Some pieces not for publication are also found in this series, such as introductions delivered for other writers and eulogies. Material is primarily in the form of typescripts, galley proofs, and tear sheets.
Notes and Comment [New Yorker]: Galley proofs, 1978
A variety of non-fiction material is gathered in this series. Most of it is essays written for publication, such as the pieces published anonymously in the "Notes and Comments" section of The New Yorker. Some pieces not for publication are also found in this series, such as introductions delivered for other writers and eulogies. Material is primarily in the form of typescripts, galley proofs, and tear sheets.