Box 10
Contains 44 Results:
Notes and Comment [New Yorker]: Tear sheets, 1976-1978, undated
A variety of non-fiction material is gathered in this series. Most of it is essays written for publication, such as the pieces published anonymously in the "Notes and Comments" section of The New Yorker. Some pieces not for publication are also found in this series, such as introductions delivered for other writers and eulogies. Material is primarily in the form of typescripts, galley proofs, and tear sheets.
Notes and Comment [New Yorker]: Photocopies, undated
A variety of non-fiction material is gathered in this series. Most of it is essays written for publication, such as the pieces published anonymously in the "Notes and Comments" section of The New Yorker. Some pieces not for publication are also found in this series, such as introductions delivered for other writers and eulogies. Material is primarily in the form of typescripts, galley proofs, and tear sheets.
Not-Knowing: Typescripts, undated
A variety of non-fiction material is gathered in this series. Most of it is essays written for publication, such as the pieces published anonymously in the "Notes and Comments" section of The New Yorker. Some pieces not for publication are also found in this series, such as introductions delivered for other writers and eulogies. Material is primarily in the form of typescripts, galley proofs, and tear sheets.
Not-Knowing: Photocopies, undated
A variety of non-fiction material is gathered in this series. Most of it is essays written for publication, such as the pieces published anonymously in the "Notes and Comments" section of The New Yorker. Some pieces not for publication are also found in this series, such as introductions delivered for other writers and eulogies. Material is primarily in the form of typescripts, galley proofs, and tear sheets.
An Objection [Letter to the Editor], undated
A variety of non-fiction material is gathered in this series. Most of it is essays written for publication, such as the pieces published anonymously in the "Notes and Comments" section of The New Yorker. Some pieces not for publication are also found in this series, such as introductions delivered for other writers and eulogies. Material is primarily in the form of typescripts, galley proofs, and tear sheets.
On Houston and Making a Difference, 1988
A variety of non-fiction material is gathered in this series. Most of it is essays written for publication, such as the pieces published anonymously in the "Notes and Comments" section of The New Yorker. Some pieces not for publication are also found in this series, such as introductions delivered for other writers and eulogies. Material is primarily in the form of typescripts, galley proofs, and tear sheets.
On Our Street: Galley proof, 1983
A variety of non-fiction material is gathered in this series. Most of it is essays written for publication, such as the pieces published anonymously in the "Notes and Comments" section of The New Yorker. Some pieces not for publication are also found in this series, such as introductions delivered for other writers and eulogies. Material is primarily in the form of typescripts, galley proofs, and tear sheets.
On the Level of Desire: Typescript, 1973
A variety of non-fiction material is gathered in this series. Most of it is essays written for publication, such as the pieces published anonymously in the "Notes and Comments" section of The New Yorker. Some pieces not for publication are also found in this series, such as introductions delivered for other writers and eulogies. Material is primarily in the form of typescripts, galley proofs, and tear sheets.
Real Fakes [Letter to the Editor]
A variety of non-fiction material is gathered in this series. Most of it is essays written for publication, such as the pieces published anonymously in the "Notes and Comments" section of The New Yorker. Some pieces not for publication are also found in this series, such as introductions delivered for other writers and eulogies. Material is primarily in the form of typescripts, galley proofs, and tear sheets.
Remarks, 1972-1981, undated
A variety of non-fiction material is gathered in this series. Most of it is essays written for publication, such as the pieces published anonymously in the "Notes and Comments" section of The New Yorker. Some pieces not for publication are also found in this series, such as introductions delivered for other writers and eulogies. Material is primarily in the form of typescripts, galley proofs, and tear sheets.
At the Tolstoy Museum, paste up, [1970]
This series includes the artwork and "collage stories" that Barthelme created by gluing engravings, woodcuts, and pieces of clip art to posterboard or other backgrounds. Some loose collage pieces have been reglued to their backgrounds using reversible wheat starch paste.
Artwork by Donald Barthelme, 1977-1988 and undated
This series includes the artwork and "collage stories" that Barthelme created by gluing engravings, woodcuts, and pieces of clip art to posterboard or other backgrounds. Some loose collage pieces have been reglued to their backgrounds using reversible wheat starch paste.
Artwork by Others, 1980, undated
This series includes the artwork and "collage stories" that Barthelme created by gluing engravings, woodcuts, and pieces of clip art to posterboard or other backgrounds. Some loose collage pieces have been reglued to their backgrounds using reversible wheat starch paste.
Loose Collage Pieces, undated
This series includes the artwork and "collage stories" that Barthelme created by gluing engravings, woodcuts, and pieces of clip art to posterboard or other backgrounds. Some loose collage pieces have been reglued to their backgrounds using reversible wheat starch paste.