This collection includes sketches, renderings, and construction drawings for Doug Michels' design projects; portfolios of his art and design work; 35mm slides and photographic prints; video tapes; movie scripts; publications; personal and business files; and memorabilia. Materials are arranged in series by format or genre and chronologically within each series from 1940s to 2004, with a bulk from 1970s to 1990s.
This collection documents the academic career, community service and advocacy, and local civil rights activist work of Tatcho Mindiola, Professor Emeritus of Sociology and former director of the Center for Mexican American Studies. Materials include correspondence, course planning materials, research data, program files, published and unpublished manuscripts, and a significant amount of published reference material.
The majority of this collection contains documentation and notes pertaining to the creation of the short documentary film The Living Tree. Other items include film scripts, periodicals and ephemera from her film career.
This collection consists of 8 series and is housed in 2 boxes. The focus of the papers is the various organizations with which Oren has been affiliated. Most notably, this collection includes organizational material regarding the Houston Area Feminist Federal Credit Union, the National Organization for Women and Women and Labor organizations.
The collection consists of two series: Greater Houston Convention & Visitors Council and Ephemera. The first series contains organizational materials for the GHCVC and is broken into ten sub-series. The second series contains materials related to the city of Houston and the state of Texas and is divided into six sub-series.
This collection contains materials related to Marcella Perry's work as a banker and politician between 1945 and 1985. The contents are broken up into two series: News, Events, and Correspondence; and Photos, Scanned Documents, and Scrapbooks. The sequencing is chronological and maintains the original structure created by Marcella and her family as closely as possible.