Biographical information; correspondence; printed materials including clippings, exhibition catalogs and announcements, articles in the HOUSTON REVIEW by Martin Dreyer, "The Way We Were: Houston's Culture in the 1940's" and "Portrait of a Houston Artist: An Interview with Margaret Webb Dreyer"; Dreyer Galleries file, 1962-1975; and personal photographs.
Biographical information; correspondence; photographs; clippings, exhibition brochures and newsletters; and illustrations and sketches.
A resume; correspondence; a scrapbook containing clippings, exhibition catalogs and announcements, letters, and memorabilia, 1960-1965; awards and certificates; exhibition catalogs; Christmas cards and cards designed by Gantz; photographs of works of art; and printed material concerning painting classes taught by Gantz.
Resumes; a letter from the Dallas Chamber of Commerce; a ceramics course textbook written by Kahn; awards for craft designs; and printed material including newsletters of the Texas Designer/Craftsman organization, exhibition catalogs and announcements, clippings and magazine articles.
Correspondence and clippings.
REELS 2765-2766: Correspondence and clippings, 1955-1976, pertaining to the 1950's controversy about "communist art" at the Dallas Museum of Fine Arts; and clippings, 1970-1976, of articles written by Kutner as a critic for the DALLAS MORNING NEWS.
REEL 2816: Newspaper clippings, 1979-1980, from the DALLAS MORNING NEWS.
6 scrapbooks; correspondence; clippings; writings; subject files on the International Sculpture Conference, a project called 20/20, Artists in Action, and the Houston Contemporary Artists and Models Ball, 1979; pencil sketches for an ice sculpture; clippings of cooking columns written by Long; copies of "Houston ArtScene" magazine and other printed materials.
Exhibition files containing correspondence, lender's forms, receipts, catalogs, invitations, photographs of artwork, and installation photographs, for exhibitions MacAgy directed at the Contemporary Arts Museum, Houston, the University of St. Thomas, Houston and the Museum of Fine Arts, Houston. Also included are four albums of installation photographs.