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Box 35

 Container

Contains 40 Results:

Zhou Lin Correspondence, 1991-1994

 File — Box: 35, Folder: 40-41
Dates: 1991-1994
Scope and Contents From the Sub-Series:

In the 1980s the Japanese loved American popular culture of the 1950s. Michels made several trips to Japan as he tried to capitalize on his fame as a designer of the Cadillac Ranch. He proposed projects for Japanese clients such as the Cadillac Shrine, an automotive-themed restaurant and car museum. Also included in this box is correspondence, from the early 1990s with friends from China. Materials from this subseries are for the year 1985-1997 and organized by projects.

Zhou Lin Correspondence, 1992-1997

 File — Box: 35, Folder: 42
Dates: 1992-1997
Scope and Contents From the Sub-Series:

In the 1980s the Japanese loved American popular culture of the 1950s. Michels made several trips to Japan as he tried to capitalize on his fame as a designer of the Cadillac Ranch. He proposed projects for Japanese clients such as the Cadillac Shrine, an automotive-themed restaurant and car museum. Also included in this box is correspondence, from the early 1990s with friends from China. Materials from this subseries are for the year 1985-1997 and organized by projects.

Zhou Lin Correspondence - Photos, 1995, 1996

 File — Box: 35, Folder: 43
Dates: 1995, 1996
Scope and Contents From the Sub-Series:

In the 1980s the Japanese loved American popular culture of the 1950s. Michels made several trips to Japan as he tried to capitalize on his fame as a designer of the Cadillac Ranch. He proposed projects for Japanese clients such as the Cadillac Shrine, an automotive-themed restaurant and car museum. Also included in this box is correspondence, from the early 1990s with friends from China. Materials from this subseries are for the year 1985-1997 and organized by projects.

Zhou Lin Correspondence - Photos, 1997-2000

 File — Box: 35, Folder: 44
Dates: 1997-2000
Scope and Contents From the Sub-Series:

In the 1980s the Japanese loved American popular culture of the 1950s. Michels made several trips to Japan as he tried to capitalize on his fame as a designer of the Cadillac Ranch. He proposed projects for Japanese clients such as the Cadillac Shrine, an automotive-themed restaurant and car museum. Also included in this box is correspondence, from the early 1990s with friends from China. Materials from this subseries are for the year 1985-1997 and organized by projects.

Yuah Xiao Mu Correspondence, 1991-1997

 File — Box: 35, Folder: 45-46
Dates: 1991-1997
Scope and Contents From the Sub-Series:

In the 1980s the Japanese loved American popular culture of the 1950s. Michels made several trips to Japan as he tried to capitalize on his fame as a designer of the Cadillac Ranch. He proposed projects for Japanese clients such as the Cadillac Shrine, an automotive-themed restaurant and car museum. Also included in this box is correspondence, from the early 1990s with friends from China. Materials from this subseries are for the year 1985-1997 and organized by projects.

White Flag Vision - Dolphin Embassy China, 1992

 File — Box: 35, Folder: 47
Dates: 1992
Scope and Contents From the Sub-Series:

In the 1980s the Japanese loved American popular culture of the 1950s. Michels made several trips to Japan as he tried to capitalize on his fame as a designer of the Cadillac Ranch. He proposed projects for Japanese clients such as the Cadillac Shrine, an automotive-themed restaurant and car museum. Also included in this box is correspondence, from the early 1990s with friends from China. Materials from this subseries are for the year 1985-1997 and organized by projects.

China Patent News, 1992

 File — Box: 35, Folder: 48
Dates: 1992
Scope and Contents From the Sub-Series:

In the 1980s the Japanese loved American popular culture of the 1950s. Michels made several trips to Japan as he tried to capitalize on his fame as a designer of the Cadillac Ranch. He proposed projects for Japanese clients such as the Cadillac Shrine, an automotive-themed restaurant and car museum. Also included in this box is correspondence, from the early 1990s with friends from China. Materials from this subseries are for the year 1985-1997 and organized by projects.

China Clippings, 1992

 File — Box: 35, Folder: 49
Dates: 1992
Scope and Contents From the Sub-Series:

In the 1980s the Japanese loved American popular culture of the 1950s. Michels made several trips to Japan as he tried to capitalize on his fame as a designer of the Cadillac Ranch. He proposed projects for Japanese clients such as the Cadillac Shrine, an automotive-themed restaurant and car museum. Also included in this box is correspondence, from the early 1990s with friends from China. Materials from this subseries are for the year 1985-1997 and organized by projects.

China Publications - Zhou Lin, 1991-1992

 File — Box: 35, Folder: 50-51
Dates: 1991-1992
Scope and Contents From the Sub-Series:

In the 1980s the Japanese loved American popular culture of the 1950s. Michels made several trips to Japan as he tried to capitalize on his fame as a designer of the Cadillac Ranch. He proposed projects for Japanese clients such as the Cadillac Shrine, an automotive-themed restaurant and car museum. Also included in this box is correspondence, from the early 1990s with friends from China. Materials from this subseries are for the year 1985-1997 and organized by projects.

China Architecture Brochures - Zhou Ping, 1991-1992

 File — Box: 35, Folder: 52
Dates: 1991-1992
Scope and Contents From the Sub-Series:

In the 1980s the Japanese loved American popular culture of the 1950s. Michels made several trips to Japan as he tried to capitalize on his fame as a designer of the Cadillac Ranch. He proposed projects for Japanese clients such as the Cadillac Shrine, an automotive-themed restaurant and car museum. Also included in this box is correspondence, from the early 1990s with friends from China. Materials from this subseries are for the year 1985-1997 and organized by projects.